The
Valiant Princess
Elijah
Oates
No. No no no no
no no no no. No. This is not how it
works. The valiant knight is supposed to save the princess. Nobody ever heard
of a valiant princess saving a knight. It was just wrong. Against the code.
Uncouth. Yet here I stand, a knight stolen of his valor. Sure, I had been taken
by a dragon, that in and of itself is not exactly storybook. But I would have
escaped. Eventually. I swear it. I mean, how hard can it be to free yourself
from chains no thicker than a unicorn’s horn? And it certainly is not that
difficult to break through a door, run down some stairs, and slaughter a
massive dragon. Simple really.
But no, she did
not even give me the chance. By my tally, via scratch marks on the wall, she
had arrived exactly seven years after I had been taken. Not even King Arthur
would be able to escape that quickly. I had been lying in full armor on my
humble, three legged bed, in my humble, triangular room, that crowns the dragon’s
not so humble, slightly lopsided tower. I was just about to give another mighty
tug on my chains when I heard some ruckus. I stopped to listen for a moment,
noting the panic in the dragon’s constant roar. A few bursts of fire streaked
past the triangular window opposite me, and the corner of a flapping wing
briefly came into view. I thought the thing was merely arguing with itself, a common
occurrence among dragons I hear.
I ignored the
commotion and refocused on removing my manacles. I was close to success, I
really was. And then, all of a sudden, the hypotenuse of my triangle shaped
room fell over. After coughing up copious amounts of dust and blinking away a
few stray swirls of smoke, I beheld.
Now, I have
beheld many things before, not the least of which a silhouetted horseman riding
off into the sunset, his sword held aloft. That definitely was not me. I would
never behold myself. Really.
I save the act
of beholding for the right occasion. One does not simply behold a mule. One
beholds a unicorn, or the like. I do not, then, say this lightly. The scene
that unfolded before my eyes in that slightly lopsided tower was most certainly
behold-worthy.
It was the dragon. He had seemingly crashed
into his own tower and died. I was quite confused, all chained up on my three
legged bed. There was an awkward silence between me and the dead dragon. I did
not exactly know what to say. Then the dragon’s head twitched. It twitched
again. The dead dragon proceeded to open its mouth, wide, as though it were
yawning. Lo and behold, a princess crawled out of the mouth. I say she was a
princess, but in truth, it would be better to say she was a blood-soaked
princess. Her once pink dress was drenched red. I guessing killing a dragon
whilst inside said dragon’s mouth will do that to a girl. She stood,
straightened her pointed pink hat atop her impressively long blonde hair, and
gave a small wave.
“Uhm, hi,” she
said through a blush, “I am here to rescue you.”
I stared at her.
I had never been rescued before. It was a rather uncomfortable process so far.
“Oh, uhm, I found
this. I think it’s yours,” she said as she reached back down into the dragon’s
mouth and pulled out a gore-stained sword. “You can have it back; I’m quite
finished with it.”
I stared some
more.
“Ah, right, the
chains.” She took a step or two forward, raised my sword-knocking her hat askew
once again-and broke through the chains in one swift swipe. I did not flinch.
Really.
Once I was free of
my shackles, the princess handed me my sword. I took it gingerly, not wishing
to touch any dragon flesh that was along for the ride. The princess pulled me
to my feet and stepped back over to the dragon head.
“Uhm, this way
to freedom,” she said, another blush rising, her hands swaying awkwardly at her
sides.
I attempted to
take a step. It did not work. Seven years on a three legged bed is not good for
balance apparently. I proceeded to collapse, face-planting onto the stone
floor, breaking my nose and denting my helmet. I puffed a sigh. I really was
not good at being rescued.
“Would you like
some help?” This time I could hear the blush in her words.
“No, no, just
give me a moment,” I replied with a nasally, muffled voice.
After more than
a few moments had passed, and I had made no visible progress toward standing, I
amended my original statement.
“Yes.”
The princess was
soon carrying me, baby style, down the back of a dragon. The dragon had been nice
enough to die in the perfect position, so that it now functioned as a rather
scaly staircase down to the ground. Moments more found me on the back of a horse.
It was a four legged horse with a dazzling white coat and an equally bright
mane. The princess had mounted in front of me, my arms around her waist. It was
all terribly backwards and confusing.
Alas, here I
sit, upon that same horse, behind that same princess. She is a pretty one at
least, all blonde hair and blue eyes. The sun is setting now; the horizon is calling
it back home. What an image we must be; a valiant princess and a freshly
rescued knight, riding together off into the sunset. That is something I would
not mind beholding. Really.
You are using language in interesting ways ("puffed a sigh," for example, and repetition of syntax) and establishing a conversational tone that carries me in and along. More comments in person, but I wanted to say that I enjoyed this piece. Great, playful situation. Much to love here.
ReplyDeleteI think you have a great plot here! I really like the way you reversed the roles in a typical fairytale and expressed the knight's embarrassment through his first person narration and how he always repeats "really." I would just go through and fix some grammatical errors here and there, and maybe try rewording some sentences to make them less awkward. Like instead of "Moments more found me on the back of a horse." you could say "Moments later I found myself on the back of a horse." Also I'm a little confused... In the beginning of your story you say that the princess was 7 days early, but later on you say the knight was on the three legged bed for 7 years. Was that what you meant to say? Other than that, great job!
ReplyDeleteElijah, I feel like what this piece is really doing so well is manipulating language the way we talked in class to define tone and character. So many of your words seem so carefully chosen (even if they're somewhat less defining to the plot) to develop a sense of where we are and whose mind we're sitting in. I see it in "hypotenuse," and this repetition of words like "valiant," "humble." I could pick a million moments like this. This is a really great first draft, and if you're open to it I'd love to talk to you in person about ways to possibly take this language manipulation even further to hit on something slightly experimental but layered in tone the way it already seems to be striving for.
ReplyDelete