Mara Williams wiped the sheen of sweat off her brow with the back of her right hand. She was careful not to smear on her flushed skin the dirt lodged in the crevices of her palm or embedded under her nails. She had been toiling beneath the sweltering afternoon sun for hours, an uneven burn her reward. Her skin was red and tender to the touch. It was but a minor discomfort.
All the flowers had faded during the summer night. Her
prized amaranth peonies were twisted and hunched. Their graceful petals no
longer curled and fluttered in the gentle breeze. Mortality had possessed their
vibrancy; now they were wilted and browned, and they sagged as if already in
decay. Her myrtles and orchids had shared the same regrettable fate. Mara
mourned the circumstances that had turned her beloved garden into a graveyard.
She extracted the dead flowers with cautious efficiency and
laid them to rest in the hand-woven basket nestled on her right. She was
careful to dig only deep enough to secure a grip on the roots. It was an
unnecessary precaution, one that had become an unbreakable habit since the
previous weeks.
Mara shifted her grip
on the trowel as she removed the final patch of orchids. Her scraped knuckles
were still stiff from their old wounds and the rough parallel slices on her
left palm had yet to heal. The trowel remained a silent testament to her pain.
No metal gleamed beneath the benevolent sun; flakes of dried blood dulled the
tool’s original shine. Mara’s hand clenched the trowel handle at the sight.
Mulch and hardened dirt mingled in the naked flowerbed.
Destitute of its intended occupant’s vitality, the barren garden was horribly
exposed. Mara shivered in the heat and began to replant the flowers with
renewed vigor.
The sun had made its torpid journey across the horizon by
the time she stretched her stiff back. Clouds were painted with harsh, sharp
brushstrokes of pink and orange. Cool wind chilled the sweat on her neck and
chest. It felt heavenly against her fevered skin. She relished the escape from
heat.
The spigot released its water jealously. Mara coiled the
hose around her forearm like the rope of a noose and sprayed the garden with a
gentle shower. Cold water was sucked from the surface by greedy roots. She
watched the flowers drink with maternal affection.
Upon its creation Mara had not expected to enjoy the garden.
It had merely been another demand, and chore a proper housewife did to satisfy
her husband.
Not since her had friend introduced her to Reuben Williams
four years ago had she met a more charismatic person. Breed in wealth since
childhood and spoiled with abandon, Reuben had acquired the arrogant confidence
of a powerful, rich man. His volatile personality at once intimidated and
captivated his audience. He knew when to argue, plea, and cajole. Dynamic and
inescapable, Mara had been drawn to him from the quick. Three short months of
courtship passed before their engagement.
The gardens had been one of the first requirements of their
marriage. Affluent real estate brokers had magnificent gardens tended by their
wives, he argued. Therefore, as his wife, it was her duty to create for him a
garden unrivaled by any in the county. She had assented without complaint and
designed for him a lush expanse of garden surrounding the front entrance. That
one she attended with mechanical indifference.
It was the flowerbed in the corner of the backyard she
nurtured. In her husband’s ambitious eyes the smaller garden was of no
consequence. His disdain was liberating. She nurtured the garden with zealous
care, doting on her humble collection. Now she watched the revived garden with
pride and a curious desperation.
Soon the flowers could drink no more and a puddle formed
around the stem. Mara did not turn off the hose even when the flowers began to
sag under the weight of the water and droplets fell from petals to the dirt
like tears.
There came a soft cough from behind. Mara’s heart convulsed
painfully. She whirled around, not releasing the hose in her haste. Two men
stood a sensible distance away. The younger of the two had clear blue eyes
still bright with ignorance and an innocent rounded face. Something in the
structure of his cheeks, or perhaps the open curiosity and kindness in his
expression, gave him an aura of honest warmth. His partner held no trace of
such naivety. Deep lines creased the skin at the corners of his eyes and his
harsh slash of lips had the propensity to curve down.
Both men hastily backed away from the spray before they
could become too wet. The middle-aged man scowled and rubbed at the wet spot on
his shoulder. His counterpart smiled apologetically, as if he were at fault for
standing too close.
In a voice laden with a deep Southern accent, the younger
man said, “Sorry, ma’am. Didn’t mean to startle you.”
Gradually Mara’s heart slowed its frenetic pace. She offered
a weak smile and released her grip on the hose. The water stopped.
“My name is Detective Agnes and this is my partner,
Detective Collins. Would you mind if we asked you a few questions?”
“Yes’m, it is, but we both had to testify in court today,
and this was the earliest we could come. Do you mind? This shouldn’t take too
long.”
Detective Collins spared her no smile. His bushed eyebrows
were drawn in determination and his fierce expression clearly said he would not
be deterred.
“Of course not. Why don’t you make yourselves comfortable on
the patio while I put away a few things?”
Detective Agnes shifted uncomfortably. “Would you like to go
inside instead? Once the sun drops it’ll going to become pretty cold.”
“That shouldn’t be a problem, will it?” Mara said. “After
all, this won’t take too long.”
Reluctantly the detectives took their seats around the heavy
oak table beside the modest fountain. Mara quickly gathered her trowel, small
rake, and knee mat. She turned the spigot off but left the hose uncoiled.
The wooden shed stood at the perimeter of the property
mostly concealed by trimmed hedges. Only the door was visible, hand carved with
an elegant pattern of swirls that mimicked the ceaseless flow of a river. The
interior was far plainer, functional rather than decorated. It was outfitted
with shelves to contain the tools and a long carpet rug to protect bare feet
from the bite of chilled wood in the winter. A sliver of light caught on a
shovel dangling from the wall. She shuddered and returned the tools to their
shelves with a loud clatter.
The detectives were waiting impatiently for her return.
Detective Agnes asked, “Is everything alright? We heard a
loud noise.”
“Oh, that was nothing. I just dropped the trowel in with the
other tools and they clanged together.” Mara sat and rubbed her bruised
knuckles. “Now, what questions do you have? I assume this is about Reuben.”
Detective Collins answered. His voice was brisk and sounded
like gravel. “We were hoping you could tell us what happened.”
“Why? I’ve already told the other detectives, Scotts and
Chung, what I know.”
“We’ve decided to give them our aid. Your husband was a
well-liked man in this community and we know everyone is anxious to learn what
happened to him. You, especially.” The younger detective said with a guiltless
smile.
She scratched at the scab on her left palm. “Of course I
do.” Her tone was defensive.
Detective Collins studied her with jaded eyes that saw too
much. He put a voice recorder on the table. “Do you mind?” Mara shook her head
and he pressed record. Then he and his partner procured a small notepad and
pen.
“Why don’t you start from early that morning.”
She sighed but dutifully replied, “Reuben woke up at five
thirty for his morning run. He returned home about forty, forty-five minutes
later. I made him a cup of coffee while he checked his email and watched the
morning news. He went to meet with a couple interested in the Snow Valley Manor
at ten.”
“What time was the meeting?” Detective Collins asked.
“Eleven.”
“Snow Valley Manor. Isn’t that only a forty minute drive?”
“Reuben loathes tardiness,” she explained. “He always gives
himself at least twenty minutes of extra time in case something unpredictable
happens.” The detective nodded for her to continue. “He returned from the
meeting a couple of hours later.”
“Do you remember the exact time?”
“Sometime around noon. Maybe twelve thirty. No later than
that.”
There was a flurry of pens as the detectives wrote the time.
“And then…” Detective Agnes prodded.
“He was disappointed. Agitated. Said the couple backed
out. He made some phone calls to other
interested buyers. Called potential clients. Mostly work-type things. I minded
my own business. Made lunch like usual, watched a few of my soaps. He left for
game of golf with his business associate at four o’clock. That’s the last time
I saw him”
“Can you tell me the business associate’s name?”
“Vincent Schreurs.”
More scratches of pen on pad. Then Detective Collins said,
“You last saw him Tuesday afternoon, but you didn’t report him missing until
Thursday morning. Why?”
The way he hurled the question made her sound guilty. She
stiffened her spine and forced herself to meet his mercurial, jaded eyes.
“Reuben didn’t have the best temper. Sometimes when he was angry or frustrated,
he would go to the bar until the early hours of the morning and be too drunk to
drive home. Then he would stay with a drinking buddy for the night or rent a
room at a nearby hotel.
“I thought he had worked through afternoon. It’s not
uncommon and he frequently has meetings during lunch, in which case he’ll buy
something to eat. When he still didn’t return by dinner I was worried, but I
thought he might have gone out to drink again. In the morning, when he still
wasn’t home, I called his cell phone and got his voice mail. He never has his
phone off, even when drinking. When I couldn’t reach him, I called around, asking
if anyone had seen him, if they knew where he was, etcetera. No one had or did,
so I reported him missing.”
They nodded and hastily scribbled some notes. She studied
the sky. Day was nearing its end. The temperature had indeed dropped and Mara
shuddered. What had once been delightful now was frigid and cutting. The sweat
on her pink skin had sunken into her pores and left her smelling faintly of
labor, earth, and heat. The red light indicating recording was in progress
seemed harsh and gruesome to her eyes. She was seized with the sudden urge to
run inside and scrap all the dirt from under her nails.
Detective Agnes glanced up from his notepad. “Do you know of
anyone with a grudge against your husband? Anyone who might benefit from his
disappearance?”
She shook her head regretfully. “No.”
“Did your husband drink often?” Detective Collins asked
abruptly.
Mara stared at him and squeezed her left hand. “Pardon?”
“It’s not a trick question, Mrs. Williams. Did your husband
drink often?”
“Not, uh, not terribly often. I mean, just when he was mad.”
“And your husband had quite the temper, didn’t he? Tell me,
Mrs. Williams, did he every hurt you?” The detective scrutinized her expression
as he delivered the question without any false sympathy.
“That’s ridiculous,” she protested weakly.
Detective Agnes flipped a page in his notes. “Is it, Mrs.
Williams? March 16th, 2010, 8:49 p.m., dispatch received a call for
a domestic disturbance. When they arrived at the scene the wife met them at the
door, convinced them it was all a big misunderstanding, and sent them on their
merry way.” He caught her eyes with intensity incongruous with his naïve
innocence. “The caller was you, Mrs. Williams."
She took a shallow breath. “As you can see from the
transcript, Detective, the call was a mistake. Reuben said a few uncharitable
things and I blew the argument out of proportion.”
“That’s the thing, Mrs. Williams. We would have dismissed
the call as just that, if not for your medical records.” He paused a moment, as
if hoping Mara would fill the silence. She remained mute. “March 17th,
2010,” he continued, “you fell down and broke your collar bone. The day after
the nine-one-one call.”
“Coincidence,” she mumbled through numb lips.
“Police don’t believe in coincidences. We looked through
your medical records. August you lost control of your bicycle and got a severe
concussion. Oddly enough, you managed to bruise not only your jaw, but both
your eyes as well. Skip ahead a few months and you dislocated your shoulder
falling off a ladder. The pattern continues for the next two years.” He sighed.
“No one falls down that much, Mrs. Williams.”
“What can I say? I don’t have the best balance.”
“Did he abuse you, Mrs. Williams?” Detective Agnes persisted
earnestly. “Did he attack you Tuesday and you struck him in self defense? No
one would blame you if you had. There are laws in the court that protect battered
women. You don’t have to be afraid. If you’re a victim, we can help.”
She squeezed her left hand hard enough to bruise. Felt the
soreness of her muscles and the two parallel scabs on her palm. “I am not a victim,” she whispered
vehemently.
“We’ve talked to your friends and family,” Detective Collins
added. “They all say the same. That Reuben controlled you. Told you who you could
and could not associate with. That he had, on more than one occasion,
physically harmed you.”
Mara stared at him, chest rising and falling rapidly, and
said nothing.
Detective Agnes said, “No one would blame you, Mrs.
Williams. If you had a hand in his disappearance, that is.”
“I don’t know what you’re talking about.” She intoned
without inflection.
“Don’t you?” the older detective, the one with the keen
jaded eyes that saw too much, said. “You are the one to benefit most from his
death. No more abusive husband, not to mention his life insurance payment and
the entirety of his estates.”
The solemn accusation weighed heavily in the air. The wind
had ceased its sweet caresses. Twilight had full reign of the sky, that eerie
hour where day neither died nor night fully lived. The small oval fountain
squirted water, but its descent was muffled and not nearly loud enough, and yet
at the same time far too loud. All else was silent, such a familiar oppressive
silence. Some days the consuming quiet was a roar that threatened to swallow
her into madness. For years she had been confined to the expansive manor and
its two mile long driveway, its nearest neighbor a thirty minute jog away.
Loneliness often stole her mind and she was forced to project the affection she
could never demonstrate on the flowers under her care.
“Mrs. Williams—” the young detective with the rounded face
and southern drawl began.
She stood. Her chair scraped loudly. The detectives did the
same. Their assent was much more controlled, and their chairs did not make a
sound.
“I would appreciate it if you would both leave.”
“May we look inside the house, ma’am?” Detective Agnes
asked.
“Of course. We apologize for taking up your time. Please let
us know if you remember anything or ever want to talk.”
Mara promised to do just that and returned to her garden.
Water had dripped from the nozzle of the hose onto the ground. She coiled the
hose around her forearm and released a gentle spray on the flowers.
“Call us anytime, Mrs. Williams.” Detective Agnes said. He
gestured to the garden with a tip of his head. “You might not want to water
those flowers too much. Looks like you’ve got quite a stream going already.”
With that the naïve detective nodded once more and left.
Mara studied the small streams of water winding through the
mulch and dirt. She imaged the water had the faintest hue of pink, as if the
flowers were dispelling an unholy taint. She shuddered, and continued to water
her precious garden.
* Well, there you have it. Did you understand the plot? Was
I too subtle? Too blunt? Did the characters make sense? Were they realistic?
Did the dialogue flow? Again, please critique. Happy writing! *
Oh my goodness Alyssa I absolutely loved this. I thought it was riveting from beginning to end. The description is really vivid, and so is the characterization. The plot is very well crafted. I have a couple suggestions--
ReplyDeleteI'm pretty sure you're already doing this to some degree, but I feel like you could really pack some subtle foreshadowing/symbolism into the first part of the story. Like, include some violent/volatile descriptions to symbolize the violent or abusive relationship she had with her husband. Or maybe you could subtly mention the aftermath of a wound that abuse caused her--like the scars on her palms? if you could bring that up earlier?
In terms of the dialogue flow, I think it is mostly really realistic and effective. The only part that's a little questionable is when the detectives are grilling her about her abuse history--the dialogue seems to have a little bit too much rhetoric, if that makes any sense. I feel like it should be a little bit more matter-of-a-fact in tone. But that's totally your call--i mean i have no idea how detectives really talk, I'd just imagine them to be as objective as possible.
I think in the last line, "precious" could be replaced with another adjective that conveys the same connotation in a more symbolic way. In the last paragraph, "imaged" should be "imagined"?
I'd say be careful of using adjectives/adverbs that tell instead of show, for example, "she shook her head regretfully" maybe you could replace regretfully with something else that implies regret. Like, "she shook her head, her eyes falling to the floor as she drew her eyebrows together". Other parts where you could cut back on how much you tell include "jaded eyes that saw too much" and "dutifully, she replied". Again, it's totally your call.
But that's just me actually trying to find something to critique you on. I actually think this is a superb piece of writing. There are so many things that I loved, like "Clouds were painted with harsh, sharp brushstrokes of pink and orange." and the whole string of dialogue where the detectives ask her to repeat what happened. Almost everything is super natural. At the end of the story, I found myself wanting to read it again.
Wow, that is amazing! A bit disturbing, but amazing! I think the plot is really interesting and definitely understandable, but as far as the too blunt/too subtle issue, I think you could maybe go a little subtler by omitting the part where the older detective comes right out and accuses her. I don't really think it's necessary because I know for me by that point I was already starting to think that she had killed her husband, and the last paragraph (which I love, by the way) definitely left no doubts about it. Then again, it might be necessary depending on the reader, it's hard for me to say, so it's up to you.
ReplyDeleteHowever, I did have a little confusion about the beginning scene with the garden. Is she burying her husband then? Why are the flowers dead? Maybe I'm just being dense.
Related to that confusion, for some reason after the part about her marriage and background, the line about her "revived" garden briefly made me think that she had some magical powers whereby she could bring flowers back from the dead, because I had pictured for some reason that she had replanted the already dead flowers and now they were revived. (Feel free to laugh at my ridiculous interpretation now.) I think part of why I thought that had to do with the style of the previous paragraph, because it seemed to me almost like it was creating this pseudo-fantasy world where rich real estate agents rule everything and make their wives plant beautiful gardens. I'm not exactly sure what it was that gave me that impression, so I'm afraid I'm not being super helpful, and it's probably just my weird self that had that interpretation, but I just thought I'd throw it out there.
Just a couple of picky typo sort of things:
The 9th paragraph should probably start "Not since her friend had..." not "Not since her had friend."
When the detective says, "We know everyone is anxious to learn what happened to him. You, especially,” I feel like it might be better for her to respond, "Of course I am," as in I am anxious, instead of "Of course I do."
Then here, "He left for (a?) game of golf with his business associate at four o’clock. That’s the last time I saw him (missing a period)”
A little farther down, I think there should be a "the" before "afternoon" in "I thought he had worked through afternoon."
In the next paragraph, "She was seized with the sudden urge to run inside and scrap all the dirt from under her nails," I think "scrap" should be "scrape." (By the way, I love this sentence - it kind of reminds me of Macbeth. Out, out, damned spot!) (Yeah, I'm a geek...)
And finally about seven paragraphs down from there, it should be "did he ever hurt you" (not every).
But all in all, this story is really really really good (really!), the characters are great (I love the insane, complex part of Mara's personality), the plot really kept my attention, and there is a perfect balance of description and dialogue (both of which are also really great). And in retrospect, the line "Mara mourned the circumstances that had turned her beloved garden into a graveyard" is absolutely genius. So great job!
First of all, I'd like to say how impressive your writing is, as always. I love your descriptions, although you do get a bit purple every once in a while.
ReplyDeleteIn paragraph one, I would move "on her flushed skin" to the end of the sentence. That's just a personal preference, because the sentence seems a little stilted to me. Also, the phrase "it was but a minor discomfort" isn't really phrased in a way that I think people would actually say.
I love the description of the flowers as "twisted and hunched".
I also love the imagery of the hose looking like a noose.
What I gather from the third and fourth paragraphs is that her husband is buried under the garden and he cut her hand with the trowel in some sort of fight. Is that right?
While I like the word courtship, it isn't really a word that people use frequently anymore.
Where you say "functional rather than decorated" I wish you had another word ending in al instead of decorated.
I love this sentence "She was seized with the sudden urge to run inside and scrap all the dirt from under her nails".
Watch adverbs. For example, I like the image of the hose giving up its water jealously, but I wish you described it more instead of using an adverb.
I think you can cut back on some of the detective's lead-ins and just get straight to the core of what they're saying. For instance, you don't need to say "police don't believe in coincidences".
I like the hints to the ending of the story that you have in the beginning. I kind of had to go back and look for them, but once I did I realized how smart they were. I must have noticed at least on some level because the first time I read the story I understood where you were going after only a few paragraphs.
"Dispelling an unholy taint" is a little purple. So is "torpid"
If her husband is buried under the garden, why does she feel guilty looking at the trowel, but not working over her husband's grave?
"One that had become an unbreakable habit since the previous weeks" Should be week?
"from the quick" cliché?
Overall, I really loved the story.