My hands fold and unfold restlessly in
my lap, my pulse throbbing in my fingertips.
For a moment, my head feels cold and numb, and I can't tell if I'm on
the verge of passing out from anxiety, or if it's just the Capitol climate control. I decide on the latter, tell myself that I am
not panicking because this is not a big deal.
I just need to tell a near-stranger the details of my long-standing,
unrequited love for a girl who may already be plotting my murder. Compared with what awaits me at tomorrow's
interview—and then, of course, in the Games after that—this should be nothing.
Haymitch
should be here by now, counseling me on the best methods to win over the crowd
during my interview so that they will be more inclined to send me food if I
find myself starving in the arena, or a weapon if they are deluded enough to
think that I'm capable of using it. He is
late, unsurprisingly. As I wait for him
to decide whether trying to save my life is worth the effort, my eyes bounce
around the sitting room on the twelfth floor of the Training Center, trying to
find something even mildly comforting in the stark blue-white lighting and the
perfectly polished lines of the sleek, neon-hued furniture. Under the fluorescent lights, even my own
hands have become eerily pale and unfamiliar, and the futon beneath me, with
its lavender leather and strange golden sheen, exudes an air of irritation over
my marring its beauty by sitting on it.
I find myself calculating idly how many dead people have sat here before
me. Seventy-three Games times two District
12 tributes, plus two extra from the second Quarter Quell, minus one Haymitch,
leaves one hundred forty-seven. I wonder
how often they change the furniture.
Only
now does it occur to me that my anxieties may be misplaced. In less than a week, most likely, I'll have
made that number one hundred forty-eight, and I'm sitting here nearly faint
over the prospect of discussing my feelings.
Then again, we all know my death is inevitable—unless I happen to be
provided the opportunity to bake the other tributes to death—so it's probably
best that I'm not dwelling on it anyway.
A
cough from the doorway behind me.
Haymitch has apparently determined that my life may have some worth. "Well, then..." he says, easing
onto the couch opposite me, leaning back casually. "Not feeling the love for your District
12 buddy anymore, hmm?"
It
had occurred to me that my request for individual training for the interview might
be interpreted this way, as an acknowledgement of Katniss as my enemy, so I had
been prepared for this kind of reception, but the irony of Haymitch's wording
snags unexpectedly in my brain and makes me falter anyway. "Actually, I—I have a plan. For both of us, I mean."
Haymitch's
eyes narrow almost imperceptibly as he waits for me to explain why, in that
case, only one of us is here. He gives
off the impression of having just quietly decided that I may be insane.
"I
didn't think she would... agree with it."
To state things mildly.
He
laughs wryly, as if her disagreement was a given. "Okay, well, try me. What've you got?"
My
heart is in my fingertips again, and the harsh lighting makes Haymitch look
harsher than usual, and unsympathetic. Not
the kind of person I'd normally turn to with my innermost secrets and emotions. On the upside, I'll be dead within the week,
and that at least has some liberating consequences.
"I
tell them I'm in love with her," I say.
"That I've had a crush on her for years, but she never noticed me,
and now that she has..." I trail
off, staring at the pristine white floor and trying futilely to distance myself
from the situation. "You know. All this.
It should drum up some sympathy for both of us."
A
smile has slipped onto Haymitch's face, and it makes me feel like a conspirator
in a particularly crafty plot. It is
decidedly unsettling. "It
should?" he asks. "It will! You will be all everyone's talking about. And with your interview last"—a brief
laugh interrupts—"you'll knock the other tributes right out of all the
tiny Capitol brains. It's perfect. You'll both have sponsors before you even
clear the Cornucopia."
His
enthusiasm, verging on giddiness, puts a sickening feeling in the core of my
stomach. Of course I had known that my
plan was perfect. Of course I had known
that he would be overjoyed with it. But
as he rambles about the best timing for my bombshell and the various types of
small talk I should engage in before it, I can't help but feel that he is happy
for my tragedy. It will make his job
much easier.
"So,
details," he says. "Let's get
your story straight." As if I am
making this up.
I
think of the things that I can't tell all of Panem. I can't talk about that day in the rain, how
she looked then, independent but desperately alone. I can't talk about burning the bread so I
could throw it out in her sight, give her something without raising my mother's
suspicions, choosing our most expensive kind, with the golden raisins and
walnuts, because it had the most energy to give a starving family. I can't talk about all the years after that, watching
from the kitchen when she would come to the door to sell my father an illegally
hunted squirrel or an illegally gathered bunch of berries, looking like she had
just conquered the world and was carrying it around in her game sack.
"We're
in the same class at school," I say finally. "I always wanted to talk to her, get to
know her better, but I never had the nerve."
"Good,"
Haymitch nods thoughtfully. "Simple
and unglamorous, but relatable. I like
the approach."
He
moves on, discussing my supposed sense of humor and natural charm. His matter-of-fact compliments would make me
uncomfortable if I were paying any attention, but I'm still stuck in front of
the kitchen stove back home, with two loaves of bread in my hands and a girl
starving outside. It was so easy then,
protecting her.
When
the four hours of training for the interview are over, Haymitch leads the way
to lunch, but pauses in the doorway of the dining room, a thought just now
occurring to him. He turns to face me
and lowers his voice. "Hey, umm...
you're not actually in love with her, are you?"
I
can't say anything.
He
looks pale and weary in the fluorescent light.
"Damn."
Congratulations on being to first to post! I hope you’ll keep up the momentum. Daring choice picking the Hunger Games. I’d considered doing a scene from Twilight, but the popularity and overwhelming public knowledge of every facet of the series is daunting. You did well, though. I liked the sarcastic hint to Peeta’s thoughts and his defeatist attitude, which holds true to his character.
ReplyDeleteSome of your sentences were genius.
Genius Sentence #1: “I just need to tell a near-stranger the details of my long-standing, unrequited love for a girl who may already be plotting my murder.”
#2: “I find myself calculating idly how many dead people have sat here before me….I wonder how often they change the furniture.”
#3: “He laughs wryly, as if her disagreement was a given.” (Shows brief but powerful insight into Katniss’s character.)
#4: “His matter-of-fact compliments would make me uncomfortable if I were paying any attention, but I'm still stuck in front of the kitchen stove back home, with two loaves of bread in my hands and a girl starving outside. It was so easy then, protecting her.” (Because it’s adorable.)
And because I’m going into editing withdrawal, I’ve got a small, medium, slightly larger than medium list of critiques! (I tried to restrain myself, I really did.) First off, I would have liked to see some of his determination to not let the Games change him. It’s such a huge part of how he plays that I feel you need to mention it, if only briefly. For example, when he’s sitting on the couch, have him think how even though he’ll add to that number, he won’t be like all the players before him. Short, sweet, and to the point.
On to his defeatist attitude. I think you could expand just a little into why he has this attitude. Most everyone has read the books, but those who haven’t might think he’s just whining. I saw the “unless I can bake them” comment. Include how his mother thinks Katniss will win, then go on to how great Katniss is and how that will help her win.
Which brings me to the third thing: showing his love. The memory of him feeding her the bread is perfect (hence Genius Sentence #4). Maybe I’m too demanding, but I would’ve enjoyed reading about how pure her voice was, or how he always made a point to watch her at school, or even his reaction when she volunteered as tribute (which would be adorable, although that’s really a whole other scene…).
Onto sentences! This one’s a mouthful: “It had occurred to me that my request for individual training for the interview might be interpreted this way, as an acknowledgement of Katniss as my enemy, so I had been prepared for this kind of reception, but the irony of Haymitch's wording snags unexpectedly in my brain and makes me falter anyway.”
And finally, because I’m nitpicky: The repetition of illegally in the sentence “illegally hunted squirrel or an illegally gathered bunch of berries” doesn’t seem necessary.
Whew. Well that’s all, I promise. Anyway, I loved the idea, and you did a fantastic job. Looking forward to your next post!